©Salvador Dali - Crucifixion. Corpus Hypercubicus 1954

Crucifixion. Corpus Hypercubicus 1954
Crucifixion. Corpus Hypercubicus
1954 195x124cm oil/canvas
Metropolitan Museum of Art, New York City

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From the Metropolitan Museum of Art, New York City:
Dalí utilized his theory of "nuclear mysticism," a fusion of Catholicism, mathematics, and science, to create this unusual interpretation of Christ’s crucifixion. Levitating before a hypercube a geometric, multidimensional form Christ’s body is healthy, athletic, and bears no signs of torture; the crown of thorns and nails are missing. The artist’s wife, Gala, poses as a devotional figure, witnessing Christ’s spiritual triumph over corporeal harm. Several dreamlike elements from Dali’s earlier Surrealist work feature in this painting: a levitating figure, vast barren landscape, and chessboard.