©Salvador Dali - Archeological Reminiscence Millet's Angelus 1935

Archeological Reminiscence Millet's Angelus 1935
Archeological Reminiscence Millet's Angelus
1935

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From Wikipedia, the free encyclopedia :

The Angelus (L'Angelus) is an oil painting by French painter Jean-François Millet, completed in 1859.
The painting depicts two peasants bowing in a field over a basket of potatoes to say a prayer, the Angelus, that together with the ringing of the bell from the church on the horizon marks the end of a day's work.
Millet was commissioned by the American would-be painter and art collector Thomas Gold Appleton, who never came to collect it. The painting is famous today for driving the prices for artworks of the Barbizon school up to record amounts in the late 19th century.
Millet sold The Angelus after his The Gleaners was sold at the Salon in 1857. About half the size, it brought him less than half the amount he sold The Gleaners for. The Angelus was eventually shown the year before Millet's death in Brussels in 1874, where it was greatly admired by Léon Gambetta.

The Angelus	Jean-François Millet
The Angelus Jean-François Millet
1857-1859 55x66cm oil/canvas
Musée d'Orsay, Paris, France

It shows two peasants during the potato harvest in Barbizon, with a view of the church tower of Chailly-en-Bière. At their feet is a small basket of potatoes, and around them a cart and a pitchfork. Various interpretations of the relationship between the two peasants have been made, such as colleagues at work, husband and wife pair, or (as Gambetta interpreted it) farmer and maidservant. Salvador Dalí insisted that this was a funeral scene, not a prayer ritual and that the couple were portrayed praying and mourning over their dead infant. Although this was an unpopular view, at his insistence the Louvre X-rayed the painting, showing a small coffin over-painted by the basket.
A month after the Secretan sale, The Gleaners was sold for 300,000 francs, and the contrast between the auction prices of Millet's paintings on the art market and the value of Millet's estate for his surviving family led to the droit de suite (French for "right to follow"), a French law that compensates artists or their heirs when artworks are resold.
The imagery of The Angelus with peasants praying was a popular sentimental 19th-century religious subject. Generations later, Salvador Dalí had seen a reproduction of it on the wall of his childhood school and claimed to have been spooked by the painting. He felt the basket looked like the coffin of a child and the woman looked like a praying mantis. He was inspired to create his paranoiac-critical paintings The Architectural Angelus of Millet and Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses in 1933. These were followed two years later by a similar pair of paintings which included a partial reproduction of Millet's The Angelus, called The Angelus of Gala and Archaeological Reminiscence of Millet's Angelus. In 1938, he published a book Le Mythe tragique de l'Angélus de Millet.